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- 10/31 Punk Rock with a pinch of horror movies.
- 10/31 and it's completely different but also still 10/31 Some songs are covers. Some are interpolations. Some are originals. All are spooky.
- 10/32 The terrifying sequel to 10/31.
- A Dark and Stormy Night When a group of teens break down near a cursed cornfield, they’re dragged into a killer cult nightmare and unravel a nationwide conspiracy. Oh, and it's a ska album!
- A Live The original GAN Girl, Top Assassin is ... alive. If you've ever wanted to hear a Jewel Pod concert, this is your shot.
- ABInBev Cannes Barcade ABinBev, short for Anheuser-Busch InBev, is a global brewing company known in the United States for brands like Budweiser, Michelob, and Stella Artois. It's a heavyweight in the beverage industry, often creating engaging and thematic experiences at major events to promote its products.
- All Four: Colorado VFX work from the Colorado University ad.
- All It Takes Is One I created the opening Earth animation for this Colorado University commercial.
- Anthony’s Pizza
- Autobiopic Autobiographical diary rap.
- Bank of America Chicago Marathon Interactive experiences at large events, like the Chicago Marathon, are immersive booths or setups designed by brands to engage attendees in a fun and memorable way. These experiences often include games, product samples, and themed activities that resonate with the event's spirit while promoting the brand. For brands like Bank of America, creating an interactive experience at such events is a strategic move to connect with the audience and leave a lasting impression.
- BankPlus — Hands & Feet
- Beg for Mercy The explosive sequel to 'Bullets Don’t Beg' — 'Beg for Mercy' — delivers a groovy neo-western, surf adventure.
- Below the Basement An early short film of mine about two brothers stuck in a crawl space after a major disaster.
- Body of Lies Dark, cinematic synthpop about identity and authorship, where love, control, and selfhood collapse inside a body of lies.
- Breckenridge I edited and animated a series of seasonal spots for Cultivator and Breckenridge Colorado. Design by Cultivator.
- Bullets Don't Beg The dusty and haunting original score to the unproduced western, Bullets Don't Beg.
- Carnival The synthetic music video for the Jewel Pod single 'Carnival'.
- Charter — Targeted Analysis Led the design and animation for Charter’s Targeted Analysis video, seamlessly aligning with brand guidelines while delivering engaging visuals that made complex ideas clear and enjoyable.
- Childhood 2.0 In the Summer of 2020, I designed and animated a majority of the motion graphics that would be used in Jamin Winans, Robert Muratore, and Kiowa Winans’ film Childhood 2.0. The film focuses on the dangers of social media use and technology amongst young people so naturally, a lot of designs involved Snapchat videos, Facebook DMs, and Twitter comments. But there were a plenty of other reoccurring elements such as timelines and charts and various other elements, all under the direction of Jamin Winans.
- Clouds of Acid The flagship artist of PPR, Clouds of Acid blends heavy rock with pop hooks. With fearless lyrics about self exploration and modern culture, their music is intense, honest, and deeply relatable.
- College Gameday Cornhole Trophy Designing the trophy for the Home Depot 2022 College Gameday Cornhole Championship was another highlight project during my time at Octagon. Similar to my previous experience with the Peachtree Road Race trophy, this task involved a collaborative effort with the creative team to brainstorm and pitch unique trophy designs. The aim was to capture the essence of the event and Home Depot’s brand, blending them into a symbol of victory for the championship.
- CollegeInvest
- Colorado Lottery — Play On 360 Immersive 360 VR project for Colorado Lottery, featuring seamless footage stitching, 360 stabilization, and spatial audio for a fully engaging experience.
- Colorado Rockies One of my first jobs as a freelance designer and animator was for the Colorado Rockies when they were still on Fox Sports Network and just turned into Root Sports. I did the show openings and graphics packages for a number of Rockies-themed shows including: Rockies Weekly with Jim Tracy, Double Play, Rockies All Access and Rockies Classics.
- Colorado Rockies — Charlie Blackmon
- Criminal Criminal is a fusion of acoustic soul, AI-crafted precision, and hip-hop-infused rhythm—an album that feels as human as it is synthetic.
- Dark Protocol Retro-futurist dark wave, blending nostalgic synth-pop with modern anxieties. Dark Protocol's music explores emotional isolation with cinematic depth and lyrical vulnerability.
- Dark Wave Sunshine The synthetic music video for the Dark Protocol single 'Dark Wave Sunshine'.
- Die A Hero GANcore.
- Drift Masters The reel you see here showcases some of the cool work I did for Drift Masters, the British Drift Championship, and the Irish Drift Championship. It starts with the openers for each series, with a special focus on the Drift Masters package. The BDC and IDC packages follow a similar vibe but have their own twist with different colors, logos, and flags.
- EAT The story of a girl who finds herself and then eats herself. My debut feature film.
- EAT: Original Motion Picture Soundtrack The original score and soundtrack of my feature length directorial debut, EAT.
- Formula Drift Adrenaline Garage created badass, state-of-the-art broadcast software for Formula Drift that revolutionized the league's broadcasts, as well as the sport. For events that needed live feedback from judges, Adrenaline Garage created a real-time feedback system, complete with custom hardware and software, in which the judges used a dial to indicate which driver was doing better. The output of each dial is fed in real-time to a graph which is synched with-in the replay. The software also allowed judges to input data and quickly tabulate a score. The score is instantly composited into a graphic and displayed on screen.
- Freakout I did a VFX cleanup shot and a green screen key on this Colorado Lottery ad. Here's a little breakdown of the work I did.
- Futuristic Films — Animated Text I helped Futuristic Films with some type treatments for a reel and like how they turned out.
- Generative Slop A couple of albums later, Clouds of Acid follow up the Generic Art EP with a full-length album of 100% Pure Generative Slop.
- Generic Art The debut release from the best AI band in the world.
- Global Greengrants Fund Global Greengrants Fund is a great non-profit and I was happy to help them refurbish their statement video.
- Globus — Secret Agent I had the fantastic opportunity to breathe life into what would normally be a rather dry Globus internal video, transforming it into a captivating and fun experience. Channeling a cool 60s spy vibe, we introduced a secret agent narrative that instantly elevated the content. The creative genius behind the art and direction was Chris Cox from ChangeTheThought, setting the perfect stage. My role was to animate and infuse energy into the project, turning static images into a dynamic, engaging piece. It was a thrilling challenge to animate this unique vision, making the internal message not just informative but also somewhat entertaining.
- Godless Whores Apropos of nothing, “Godless Whores” is about the horrifying reality that AI music creation has made it possible for ordinary people to create studio-quality music without years of training, million-dollar studios, industry connections, or permission from anyone.
- Hallway Shootout With my personal project, "Hallway Shootout," I dove into the world of complex 3D animation to create a scene that rivals cinematic quality. Leveraging my extensive library of pre-built assets, including fully animated video game characters and detailed locations, I crafted an exhilarating sequence where a squad of cops faces off against a horde of zombies in a tight hallway. I took charge of the entire post-production process, ensuring that every element, from the shuffling zombies to the flashing muzzles, was meticulously controlled, edited, and animated for maximum impact. Jon Stevenson brought the scene to life with his sound design, adding a layer of intensity to the action. This project was a thrilling blend of creativity and technical skill, showcasing the power of animation to create immersive, dynamic stories.
- Heineken Rivalry Week Interactive experiences at major events serve as engaging, immersive spaces where brands can connect with attendees through activities, games, and themed environments. These experiences are designed to captivate the audience, offering a blend of entertainment and brand promotion. For Heineken's celebration of MLB's rivalry week, featuring Atlanta United versus Orlando City, the project was set to be an expansive and ambitious undertaking, transforming an entire city street into a vibrant fan zone.
- HOAX VFX work from the feature film.
- I'm A Star The synthetic music video for the Jewel Pod single 'I'm A Star'.
- I'm A Star The original GAN Girl, Top Assassin is back with an electrifying fusion of hard-hitting beats and lyrics clever enough to make you question if a bot actually wrote them.
- I'm Done 20ish years after the Commodes disbanded, I wrote and recorded a song in the spirit of my old band.
- Incubator You've heard the urban legend . . . this is worse.
- INCUBATOR: Original Score The original score to the short, body horror, classic!
- Infection INFECTION was shot using only practical effects, no CGI, on a tabletop in a garage.
- Infection: Original Score The infectious original score to the short film.
- Jewel Pod Some call her Jewel Pod, others call her terrorist. The Original GAN Girl, Top Assassin only has one mission in mind: Destroy. Things will never be the same now that Jewel Pod’s on the scene.
- Jimmy Savage 20ish years after the Commodes broke up, I wrote and recorded a song on the style of my old band.
- Jimmy Weber Not to be confused with the country artist of the same name, Jimmy Weber (me) is a musician and song writer behind the scores of EAT and RENT-A-PAL.
- JLW A wild, self-aware trilogy closer—equal parts confessional, confrontational, and comedic—where Riot wrestles with legacy, runs out of stories, and somehow makes that the story.
- Judgement Day A genre-blurring ride through manic creativity and cinematic nostalgia—delivering tracks that feel like cult movies you pretend you’ve seen to impress your cooler friends.
- Konami E3 Booth Konami wanted a fast paced "JJ Abrams' Star Trek inspired" video to advertise their booth at E3. They supplied CAD files, I converted those to Cinema4D where I animated this and composited it in After Effects. I worked on this project at ChangeTheThought under Mike Slane and Christopher Cox.
- Live in the Extraordinary VFX from the Beaver Creek ad.
- Lucky For Life VFX work on the Colorado Lottery ad.
- Luke Bryan Concert Visuals For Luke Bryan's 2014 tour, I had the pleasure of bringing to life the concert visuals for one of his songs, working alongside the incredibly talented Chris Cox from ChangeTheThought, who was responsible for the direction, art direction, and illustrations. My task was to animate these creative elements, transforming Adobe Illustrator files into a dynamic and visually mesmerizing experience for the audience. The setup was ambitious, featuring a massive HD screen flanked by various larger screens, each displaying a separate but visually cohesive video. To ensure the client could envision the final outcome from the audience's perspective, I crafted a "map" of the screen arrangement. This project was an exciting challenge, allowing me to animate a visually captivating display that complemented the energy and vibes of Luke Bryan's performance.
- Mastercard New York City Marathon For the New York City Marathon, Mastercard sought to create a standout sponsored section along the track, complete with custom branding and a host of features designed to enhance the spectator experience. This project required a detailed and comprehensive approach to design, as it involved not just the physical layout but also the visual impact of branding throughout the space.
- Meme Hunters VFX work from the RealPlayer ad.
- MeQuilibrium On the meQuilibrium e-learning series, produced in collaboration with SPILLT, I had the opportunity to contribute significantly as part of a dedicated team of character animators. This project focused on mental health awareness, blending educational content with engaging visual narratives. My role involved leveraging traditional motion graphics and text animation to make complex mental health concepts accessible and engaging for viewers.
- Merced County Food Bank I animated this piece for Cheerful Giving and Merced County Food Bank. I was supplied the Illustrator frames and animated the entire piece.
- Mobility / Arrow V Series Directed the first brand film in Arrow's V series, combining uncut takes and trick photography for a bright, quirky visual style. The film won a Telly Award for Best Production Design.
- MötorCrüsher Mötorcrüsher is a hardcore punk project born out of frustration, cabin fever, and a lifelong love of louder-than-hell music.
- Mountain West In 2012, Loyal Productions hired me to animate four Mountain West commercials. For two of the commercials, I combined various 3D models to build an entire basketball court and football field.
- Move Fast and Break Things In her fiercest album yet, JP delivers an unfiltered blast of electro pop, cyberpunk attitude, and post-human hip hop.
- Mudroom Backpacks I designed and animated this logo for Mudroom Backpacks at Futuristic Films. I drew all the shoes and backpack frames in Illustrator and animated in After Effects.
- My Time VFX from the Globus ad.
- Neuro Divergent New Wave from the retro-future.
- Nike Various work I did for Nike through Hovercraft Studios.
- Nova Site Link I created the storyboards and animated this video using a bunch of pre-built elements I found on numerous vector stock sites. The pre-built character was animated in Adobe Character Animator which a blast to use and saved me dozens of hours on animation work which was especially handy for a video like this with a tight budget and timeline.
- Octagon In 2022, I had the fantastic opportunity to work remotely as a Motion Graphics Designer and Animator with Octagon. It was an exciting role that allowed me to collaborate on a wide range of projects for some major companies. Here's a look at some of the work I did during my time there.
- Ol’ Miss I did a bunch of sky replacements on this spot to punch it up a little.
- OrthoColorado VFX work from the hospital ad.
- Peachtree Road Race Trophy In 2022, I had the unique opportunity at Octagon to contribute to designing a trophy for the PeachTree Road Race, sponsored by Home Depot. The brief was clear: create something dynamic and illuminated, a trophy that would resonate with the spirit of the race. Alongside the creative team, we embarked on a journey of exploration, developing dozens of innovative designs.
- Polite Riot Blending raw autobiography, pop culture nostalgia, and dark humor into deeply personal synthetic hip-hop, Polite Riot crafts a vivid musical universe that turns life’s chaos into cathartic, cinematic storytelling.
- Presence The synthetic music video for the Dark Protocol single 'Presence'.
- Q: Into the Storm From December 2020 to March 2021, I worked on this insane HBO Documentary series alongside a talented team of artists at Mass FX. It was a unordinary experience to say the least. All communications were done through super-encrypted messaging software. If we used the internet, we had to use TOR to keep our work anonymous. All graphics work was done on a single hard drive and any left over files were immediately deleted after the project was wrapped. I signed all kinds of NDA’s. My own family had no idea what I was working on for three months. It was a wild ride!
- Rainbows & Sunshine The best AI band in the world is back with some more songs about rainbows and sunshine.
- Red-Chip Music With this wild debut LP 'Red-Chip Music' will have you saying out lout, 'Gross, that's f*cking cringe.'
- Rent-A-Pal He talks to you. He listens to you. He understands you.
- Rent-A-Pal: Original Motion Picture Soundtrack The original score for the feature film Rent-A-Pal.
- SCL Stroke Awareness Diving into an essential public awareness campaign for SCL, I had the privilege of crafting three commercials focused on stroke awareness, specifically highlighting the symptoms of strokes and the crucial steps to take in response. This project encompassed two 15-second ads, fully realized through motion graphics, and a more expansive 90-second ad that creatively repurposed stock footage to fit our narrative.
- Seasons 52 I cleaned up the sign at the beginning of the spot and then animated the “Better is Always in Season” graphic at the end.
- See Things Your Way VFX work from the Avalon Waterways ad.
- Sick Day I did all of the screen replacements, floating text message bubbles and end screen.
- Spooky Season Skankin to the rhythm of the horror in our lives.
- Stalker The neon-drenched retro synth-wave original score to the unproduced psychological thriller, Stalker.
- Starles Bronson Fusing everything from 1950s pop to dubstep, Starles Bronson is the devil on my shoulder in AI form. It's the first PPR persona to use my actual voice for the basis of each song's generation.
- STONEFISH WARNING: THIS PROJECT CAN BE CONSIDERED NSFW
- Synthetic Fantastic A not-too-distant futuristic concept album that blurs the line between human emotion and artificial connection.
- Technoir Is she in the future? Or just really high? Either way, nothing will be the same now that Jewel Pod's on the scene.
- The Cheap Seats The Cheap Seats is a generative Al rock band formed by one of the most prolific and creative music producers in American history. The Cheap Seats music is generative iterations of popular Bruce Springsteen songs.
- The Cost of Eternal Suffering MötorCrüsher is 50% tongue-in-cheek homage to my favorite hardcore bands and 50% real, unbridled rage in musical form.
- The Frame VFX work from the feature film.
- The Good Life I removed some unwanted elements from this Blue Cross Blue Shield commercial and then onlined the colored footage and put the final spot together.
- The House in Windsor The true story of the most heinous serial killer in Colorado history.
- The Jump Scares In early 2019, I wanted to start a project where I could get back to my roots, play my guitars, and release this type of music more frequently. I write, record, and produce all of the music using a mix of analog (guitars, cowbell, triangle) and digital (drums, bass) instruments.
- The Legacy Since 2004, I've been making music and chopping up loops I find from the internet. 'The Legacy' is a collection of 10 years worth of those songs.
- The Rude Morgues Spooky Skacore with a little bit of Big Band, Swing, Surf, Rock Steady and a lot of Halloween 🎃🎃🎃.
- The Sky and Everything it Touches An ambient piano album designed for meditation, therapy and relaxation.
- This Way Kills The first full-length from the best AI band in the world.
- Thursday Night Football For Amazon's Thursday Night Football, I had the thrilling opportunity to craft video assets for a live event in Los Angeles that celebrated the game in a dynamic and engaging way. The event was star-studded, featuring football legends LaDainian Tomlinson and Jerry Rice, alongside comedian Rob Riggle, with the LA Street Marching Band adding to the festivities.
- Tropic of Brisa An ambient beach album built entirely from reggae ska—drifting just beneath the sounds of surf and breeze, like a Trojan Records vinyl melting in the sun.
- Trouble The hand-animated music video for the MötorCrüsher single 'Trouble'.
- Trouble Single release of the song 'Trouble' from the album: The Cost of Eternal Suffering.
- Untitled Data Project A long time ago I worked on this super secret project. It was when cable TV was still standard and streaming was still really new and novel. This big company figured out some amazing technology that pioneered streaming for major networks. I made this video to show the process. I’ve probably already said too much. I made it using C4D and After Effects.
- Vegas Baby Vegas Since 2004, I've been making music and chopping up loops I find from the internet.
- Victory Formation Victory Formation is the most brutal AI-driven sonic force on the planet. Forged in the digital crucible of Generative Adversarial Networks (GANs), their music is algorithmically sculpted into the sharpest, deadliest weapon imaginable. Oorah!
- VidCon 2018
- Vinny Durado Vinny Durado is a synthetic virtuoso, allowing me to write songs for a persona with a perfect voice..
- Vision Health — Colorado
- Woodward — We Live This
- Working for the Morgue The synthetic music video for the Vinny Durado single 'Working for the Morgue'.
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